|
|
Papers On Artists, Art Genre, & Famous Works Of Art
|
|
3 Art Works/High Renaissance
[ send me this paper ]
A 7 page research paper that examines three works, one each by Titian, Da Vinci and Michelangelo, as artists of the High Renaissance. Titian's Assumption of the Virgin, Da Vinci's Last Supper, and Michelangelo's Sistine Ceiling are briefly discussed in relation to the artist's perspective and within the context of the period. Bibliography lists 7 sources.
Filename: kh3arthr.rtf
A Color Proposal: Additional Study of Mataisse,
Kandinsky, and Delaunay
[ send me this paper ]
(5 pp) We are reaching a conceptual time when the
exploration of the possibility of teaching
components of creative thinking, through the use
of color, to those who do not see that factor in
themselves, but wish to learn it, either for
personal gratification or career improvement.
Through the additional study of these dramatic
colorists, we would be able to not only tap into
those who are visual learners, and do not perceive
themselves as such, but would also be able to
document the place of these artists in the history
of the use of color in basic creativity studies,
psychological studies, and potential work
environments, and their color implications.
Bibliography lists 7 sources.
Filename: BBcolpro.doc
A COMMENTARY AND COMPARISON OF S,M,L,XL AND REM KOOLHAAS:
[ send me this paper ]
This 16 page paper details the events that brought the work of Koolhaas into the limelight, how his theories have expanded the perception of architecture, and how he has managed to bridge the gap between disciplines. This paper discusses globalization, moderism, and Koolhaas' visions for the architechture of the future and the present. A review of the book S,M,L,XL is given as well as examples of his work, which are studied in length. Bibliography lists 7 sources.
Filename: mbkoolhaas.rtf
A Comparison of a Painting and a Woodcut: Burne-Jones and Degas
[ send me this paper ]
A 5 page comparison of Degas’ “Woman Seated Beside a Vase of Flowers” and Burne-Jones’ “Chant d'Amour” (“The Love Song”). The author emphasizes that Degas’ painting is less complex in terms of its subject matter than Burne-Jones’ woodcut but that Degas relies on color and contrast between shape to accentuate his image while Burne-Jones’ incorporates graphical detail and more subjects as integral elements. No sources are listed.
Filename: PPartCr2.rtf
Can't find what you're looking
for?
Order customized
assistance instead!
© 2008
The Paper Store Enterprises,
Inc. All graphics on this site were either created or licensed by
TPS, Inc. All reports delivered via AcademicIntegrity.Com remain the
intellectual property of the corporation and its contracted research
writers. No portion of our work may be reprinted or presented in a
student's own report without proper attribution to TPS as a source.