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Rousseau's 'La Nouvelle Heloise' (‘Julie')
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An 8 page paper that discusses Rousseau's sentimental look at the roles dictated by society for men and women according to Enlightenment views with a Rousseau twist. His focus is on the 'nature' of the human male and how those needs are to be filled through the 'nature' of women for the good of society as a whole. The writers argues that the antiquated views postulated by Rousseau through his novel are still being debated today. No additional sources cited.
Filename: Rousjuli.wps

Autobiography in Shelley's Frankenstein and Rousseau's Confessions
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Barbara Johnson has posited the idea that autobiography is always in the process of symbolically killing the mother off by narrating the fiction as though it were the child one has given birth to and that represents the author. In Jean Jacques Rousseau's Confessions the premise of an autobiography is not in question. The book does not end with his death, but rather with his life alone. In Shelley's Frankenstein, the creator (Victor) and the creation (the Monster) are both seen as extensions of aspects of the author, mirrored in behavior and psychological representations of the self, which are ultimately ended either by death or a return to solitude. This 7 page paper argues that Johnson's theory, at least in the abstract, is seen as valid and worthy of discussion. Bibliography lists 6 sources.
Filename: KTfrnbio.wps

Peter Abelard / Faith & Reason
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This 12 page paper examines the conflict between faith and reason in religion. Peter Abelard's works are examined in an analysis which concludes that both may and do coexist. Bibliography lists 9 sources.
Filename: Faitreas.wps

Peter Abelard / The Story Behind '[The] Letters of Abelard and Heloise'
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An 8 page paper discussing 'Abelard and Heloise,' the medieval French love story translated from Latin by Jean de Meun. Bibliography lists three additional sources.
Filename: Abelard.doc

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