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Sir Gawain, Morte D'arthur, & The Romantic Tradition
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A 6 page paper on Sir Gawain and the Green Knight, as well as Le Morte D'arthur by Thomas Malory. The paper argues that both works are romances, although they reflect the tradition in different ways; the medieval romance genre is defined, and then both stories are analyzed to show how they fit the tradition. Bibliography lists two sources.
Filename: Gawainmd.wps

Shakespeare Put to Music
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A 5 page paper which examines the whether or not the musical works of Verdi's 'Macbeth' and 'Otello' ('Othello'), Mendelssohn's incidental music for 'A Midsummer Night's Dream,' Tchaikovsky's fantasy overture and incidental music for 'Hamlet,' and Cole Porter's 1948 musical, 'Kiss Me, Kate' (based on 'The Taming of the Shrew') capture the quality and mood of the Shakespeare plays which inspired them, or merely echo their plots. Bibliography lists 7 sources.
Filename: TGmusic.rtf

The “Vile Body” and the Grotesque
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An eight page paper looking at the relationship between our fascination with the grotesque and our dissatisfaction with our own bodies. Supplementary sources discussed include Mary Russo’s “The Female Grotesque: Risk, Excess, and Modernity” and Robert Louis Stevenson’s “The Strange Case of Dr. Jekyll and Mr. Hyde.” The writer also touched on Mary Pipher’s “Reviving Ophelia,” and the theories of Carl Jung. Bibliography lists six sources.
Filename: KBgrotes.wps

Salvation and Nature in Crane and Bierce
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A 5 page paper looking at the degree to which the salvation of a character is dependent upon whether he adapts to his natural surroundings. The paper specifically discusses Stephen Crane’s short story “The Open Boat” and Ambrose Bierce’s “An Occurrence at Owl Creek Bridge.” No additional sources.
Filename: KBcrane.wps

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