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Dramatic Poetry and Direct Prose in Shakespeare’s “Othello”
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A seven page paper analyzing Shakespeare’s use of language in this classic play. The paper shows how “good” characters tend to speak in iambic pentameter and “evil” ones in prose, and demonstrates that as his character degenerates, Othello’s verse style becomes increasingly more prosaic. Bibliography lists nine sources.
Filename: KBothel2.wps

Eavesdropping and Spying in Shakespeare:
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This 4 page paper illustrates the ways in which Shakespeare uses spying and eavesdropping in "Othello", "Hamlet", and "Measure for Measure". This paper explores the significance of spying and eavesdropping in these plays and how the audience is served by this literary technique. Bibliography lists 3 sources.
Filename: GSSpying.rtf

Emilia In "Othello"
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5 pages in length. Emilia in Othello represents the center point between good and evil, an existence that is both a blessing and a curse as the story unfolds. Introduced as Iago's wife and Desdemona's handmaiden, Emilia exemplifies goodness with her dutiful approach to serving both her lady and husband. Her loyalty is equally shared between these important people in her life, and it ultimately becomes the catalyst for her unwitting involvement in Iago's diabolical scheme. Bibliography lists 3 sources.
Filename: TLCemila.rtf

Emotion in Othello and Macbeth
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This 5 page paper examines the two Shakespearean tragedies and looks at the characters' abilities to use reason. It is suggested that the characters are run on emotion and use little reason. Several quotes from the plays are provided. No additional sources cited.
Filename: SA208sks.rtf

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